More Poetry

None of this ever happened & it’s all true. The art & poetry of Richard Lance Williams.

19 Jun

Buddha & hard days turning

 

& press the monster
to the cutting
stone

the green skin
frog teeth
toad

the boy
stands
alone

* * * *

Christ
was first
a magic child

on the riverbanks of Egypt
playing in the reeds where Moses
stuttered formulas proving the many in the one

one long river stretching invisible from the unknown mouth
to his mouth the delta the fingers radiant fan of earth
o bounty o sacrifice o rich death how it grows

* * * *

he sits in the pew roughly suited
brown shoes polished
clip on tie

preacher says: what
would you ask of
Lord Jesus
boy

shakes his head
nothing not
a thing

* * * *

the bloody
bones of
ghosts

come on
pick it
up

the ugly
shameful
let them be

* * * *

what is saved
but once
in gold

the lepers
sweet
rags

what use
her honey
in a blue jar

* * * *

the dust
shines even
in winter light

some things like stars
how emptiness pulls them
& we want so many lives like this

& holes & sorrows & grief that weeps
hours & there is no counting one & one &
each time her eyes cut away how eternity dies

© 2008 Richard Lance Williams June 7 the mouth of her eyes: rain & what makes rivers long

 

how to bury the child properly!
it is not his time anymore
(ever in the glade
the blade rust
like dark
manna
fall)
boy
crying
my god my
god: let go of
the stone get up
rise banish the bier
of white abandonment

the story in a box:
harrowed hell
to heaven
a dove

frogs leap
& the sky is
want enough
to garden a heart

© 2008 Richard Lance Williams June 8 old man stops sacrificing his heart to the child

 

he trembles
in red futures

o promise of rising
& then a curving earth

honey is better
than gold

no heaven
saved

or turning
do not

return again
but kiss me as

Judas drops silver coins
already in the naked tree singing

© 2008 Richard Lance Williams June 8 the black boat: no harbor, sweet unending horizon

 

a breaking of
a heart as if
this begins
the world

o brave
suffer
a veil
torn

how a madman
cannot remember
a name but so clearly
the crime of abandonment

forsaken the teeth
marks still on
the back of
its neck

why nurse
a wound
to hurry
away

how many directions
mad friends carried
dogs & lovers to
the long bar

stations knot
in tangled
cleaving
sought

undress
a wound
with fingers
still trembling

a stranger to death
ride it out in pulsing waves
how the beast howls for new moons
sews with echoes what scars cannot conceal

© 2008 Richard Lance Williams June 9 broken hearts undressed

 

what rounds a hard day
as if the slow knife
pops suddenly
an innocent
skin

a hushed wincing
shame of what
falls shadow
& burning
truths

a genuine
turn of
grief
cut
in

a boat
untethered
does it matter
to the far shore
the press of a foot

when the dead are buried
& their ghosts sleep in stars
the light still bends at the stone
& sorrow grinds the price of blooms
how she carries the question we cannot bear

© 2008 Richard Lance Williams June 10 who betrays the hand of dark red days: clothed in roots & fire

 

what the dead don
a sameness of
settlement

the bottom
line: ha ha ha
the American line

wends & twists & shakes
revivalist convulsion
carnival hawker

Hucksterism
no Finn
again

mimic eccentric
a corn syrup
snake oil

prophet to fake it
until you take
the bait

o happy cakes
the king is
baked

on a lawn
rusting
red

a child says
you look
young

same suit
it never
was

© 2008 Richard Lance Williams June 10 showmanship: Kabuki Armageddon: D. Byrne

 

the trees are thick
but that is the distance
or closing i could slip between
the trunks with my arms spread wide
& turning or if i were to fall from a small plane
& my concentration was just right i could cut through
the branches as if i were a sword halving long thin sugar crystals
loop myself around a limb with a series of lashings from my belt & land
perfectly balanced on the thick belly of the ground as if simply
leaping from my bed in the brilliant morning

* * * *

how i tell her that there is the thing
that does not want to be
integrated or saved
that in the set
of all sets
there is
that subset
the one that refuses
to get it that steps back because
there is a child who wanted not to be found

* * * *

imagine the Buddha on his death bed how hard
it is not to be able to please everyone
how even enlightened he gazed
upon those gathered beside
his litter with their sorrow
& their doubts & those who got it
& those who did not & whose who had
it & lost it & desperately wanted it back but
the Buddha only smiles with his eyes closed softly
& with a single gesture he asks for a sip of cool water

© 2008 Richard Lance Williams June 15 & if we could please all the world

28 May

i hate that song

. . . what else brassing bones . . .

doorway of a hand

lean over a hawk’s hunger
falling thru the faceless heights

a pose in vertiginous consciousness

breathless voices plunging without fetters of syntax

her brevity holds its own

Socrates in a bear cave studying naked verbs

if Picasso speared the night laughing like drunken fish
stitch any hole with the skin of its own necessity

draw the strange remains of new rivers

how wisdom walks in circles

an algorithm of absences

. . . empty, pull the hat into the rabbit . . .

© 2008 Richard Lance Williams May 16 Bullwinkle subjugates a noun: pissing on Plato

 

i hate that song: the one that goes
turn around turn around
turn around & she’s
a young girl
going out
on her
own

my father always said
i’ll see you in
the stars

at the door to Huff’s
hospital room i
stood said i’ll
see you in
the stars
& left
he
died
within
an hour

a young woman in a bright yellow shirt
& black black hair walks past
goes into the HEB
does it matter
what she
buys

i lean against my white car
smoking a cigarette
last one of
the day

the sun going down
behind gray
clouds
the moon
nearly full
behind my back

i mowed the lawn
after the reading
it was good
everyone
at ease
sold
a book
she said
it was more
an exhortation

my daughter is stoned
somewhere in an apartment
in South Austin & her mother
reads women’s magazines in bed

Deltina works alone into the night
how did we all get so very lonely

he drops the cigarette onto the pavement
crushes it with the sole
of his steel-toed
boot &

Gary is dying of leukemia
my mother sleeps in
my dead father’s
reclining chair

some woman in Singapore
feeds imaginary animals
imaginary food
imagining
it will
bring
her

real love

i used to say there is no such thing
as artificial joy that any joy
is joy & i believe i was
right: it is just a
matter of
scale

these things happened in
a sequence belonging
to the way we
experience
time

memory is not linear
& what is time but memory

Rob has gout Gilmore is pinned
to the walls of his wife’s madness
like a sad Russian with rheumy eyes
John is filming porn his belly sewn up
Judith weeps & Stephanie circles deep seas
Craig knows more & pushes it back like heaven

is simply seeing whatever
we can make shine
right here

nobody knows
we all know

i hate that song

© 2008 Richard Lance Williams May 17 stars are memory (ask them)

 

they visit
(do they)

half formed
(distance carries us)

can you trace what leaves

(what is not taken
remembers)

who enters &
who a guest

(the edge dearer for any light)

name the cuts they bear
sewn with absence

a startled regret
birds! fire!

(still) they abide (still) do they not

© 2008 Richard Lance Williams May 27 the cave in the blinded eye

 

slice of a dark corner

do you remember
he taught you
the Spanish
for knife

a French philosopher
nested in the eye
of each stitch

secrets in coils

thin veins &
dry rivers
a round
cough

girl burns baskets
copper & tin
machines

flawed she says

light seams
widen into nets
wiggling strands of
what she lost to holding

windows fronting
empty hills &
red voices

carry the horizons to their last cradle

do you believe in the inherency of sorrow
in the wedding of the absent groom to the bride
the tale of parted waters swallowing the fires of loss
what corner hides the child who never called your name

her hands tremble again as he takes her
a first refusal she cannot mend
her body the anvil cracked

© 2008 Richard Lance Williams May 27 the place of being turned

 

yellow lamp light
hands float
waiting

her leg draped
in morning
pink

the piano
a ghost
dog

running
a night
wall

wet grass
pearls
loose

were you
always
here

the train
broken
down

lost in
a blue
haze

she turns to
to answer what
she cannot wake

the white noise
of pulled curtains
were you ever there

© 2008 Richard Lance Williams May 27 the passage of a memory

come to the wedding
they are already dancing
come to the wedding

© 2008 Richard Lance Williams May 27 haiku for Kabir

 

mysterious light
a dead man
in a panic

is it dawn
already
dawn

blood & honey
spreading spoiling
spurting shots of gall

black blood devil’s nails
the women with their mouths
sewn shut stitched silences of men

how plain any cloud
holes clinging to
emptiness

to sip a watery soup
avert those eyes
a poormouth

he has lied again
& she chops
each point

the root of a word
misery or miser
myst menses

what do you hold
too close, love
flowing out

breakfast served
24-7 & death
& birth

dreams or
wanting
moons

she cannot
finger the star
he waits behind

wandering as he does
line to line asking
is it the light

dead fathers
dead loves
dead time

the music of
cafeterias
a cook

counts
the lost hours
in the smoke of birds

& this is the miracle of dead
men stumbling still alive & the women
gesturing with forks & knives & burning scars

© 2008 Richard Lance Williams May 28 slaughtered dreams: among red initiates: O

 

she tears tortilla jagged
flour & water hard
as iron bark

spit of ghosts

this terrible urge
to be taken
in fire

claw screech

spontaneous
mouthing
gods

squeezed seething

fist the knife
slashing at
the honey

ooze

smash smash smash
as if light were
boiled teeth

exploding

she wants to shake god
loose of recipes
spill the salt

ravage coy secrets

she is tired of perfume
spices & week long marinade
creation explodes from a dragon’s mouth

she will cook in a cave with bones & bloody legs still running

© 2008 Richard Lance Williams May 28 the evidence is not conducive to the belief in a milky unguent streaming softly from the breasts of a blue white maiden

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